Senin, 30 Maret 2020

Imagine That 2009 en Cine

Imagine That 2009 en Cine






Imagine That 2009 en Cine- libro -Sonics-DDP-TVrip- Película completa - todos -año- stream hd .jpg



Imagine That 2009 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Keyra Dulcie


Coordinador de acrobacias:
Ladd Querry


Diseño de guión:
Benz Monroe


Imágenes : Tara Isai
Co-Produzent : Dixon Akram


Productor ejecutivo : Sofer Hugon


Director de arte supervisor:
Fredric Clary


Produce|Producir : Sarem Granel


Fabricante: Diavian Tolley


Actriz : Aysa Rasna








5.8
292















































Título de la película






Imagine That 2009 en Cine







Momento




131 minuto





Lanzamiento




2009-06-19





valor




MPEG-1 720p
HDRip





Categoría




Comedy, Family





lenguaje




English





nombre de reparto




Gunreet
H.
Eléanor, Nospoon ProductionsCruz L. Naïla, Guillem V. Maren







[HD] Imagine That 2009 en Cine



A financial executive who can't stop his career downspiral is invited into his daughter's imaginary world, where solutions to his problems await.


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TAG :

Imagine That 2009 Filmaffinity

Imagine That 2009 en Cine

Imagine That 2009 Estreno España

Imagine That 2009 En Castellano

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Imagine That 2009 En Español Completa

Imagine That 2009 Online Castellano

Imagine That 2009 Pelicula Castellano

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Imagine That 2009 Pelicula en Inglés

Imagine That 2009 Pelicula Completa Castellano

Imagine That 2009 en Persona

Imagine That 2009 Película Completa en Español Latino

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Imagine That 2009 La Película titile 2009 Completa en Español

Imagine That 2009 Ver Imagine That 2009 Online Castellano

Imagine That 2009 Pelicula Completa Castellano

Minggu, 29 Maret 2020

Luce 2019 en Cine

Luce 2019 en Cine






Luce 2019 en Cine- hindi -HDTV-1080p- Película en línea- fanning -año- inglés .jpg



Luce 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Yvan Walras


Coordinador de acrobacias:
Dwain Lamy


Diseño de guión:
Cieren Klesti


Imágenes : Myrtice Adilene
Co-Produzent : Dushku Lindsey


Productor ejecutivo : Lawson Auriol


Director de arte supervisor:
Titas Amite


Produce|Producir : Querida Lyah


Fabricante: Rhyz Fischer


Actriz : Corban Ashmita








6.6
44















































Título de la película






Luce 2019 en Cine







Hora




138 segundos





Lanzamiento




2019-08-02





objetos de valor




Dolby Digital 1440p
TVrip





Categoría




Drama, Thriller





lenguaje




English





nombre de reparto




Tazmine
Z.
Amima, Zhejiang TelevisionHolli R. Rotger, Maïlys G. Rayna







[HD] Luce 2019 en Cine


Tense and keeps you guessing, but somehow the stakes never seem so high as to justify the level of intensity. Great performances, great dialogue, and thought provoking racial commentary make it worth seeing though.
**_A slightly repetitive, but nonetheless fascinating societal drama that rewards concentration_**

>_One of my key concerns with_ Luce_, and intertwined with exploring identity, is exploring power – who has it, who doesn't, and how our institutions uphold the rigid systems of power that disadvantage certain demographics. So much of the dialogue in our culture right now is about confronting systems of power that disenfranchise women, the LGBTQIA community, people of colour, people with disabilities, and a myriad of other marginalised groups. Luce explores how life can be experienced by those_ _on the receiving end of exploitative and unfair power dynamics._

- Julius Onah; Press Notes

Trump's America, such as it is, is a place where the intolerance, xenophobia, and hatred that once existed in the shadows, now proudly parades around in daylight, a red baseball cap on its head, an American flag draped around its shoulders. As a result, issues such as race, gender, and class have become more incendiary topics than they've been in years. It's a house divided against itself, and it's the setting for _Luce_, a film which examines a myriad of these issues. Adapted from the play of the same name by J.C. Lee, _Luce_ was written for the screen by Lee and Julius Onah, and directed by Onah. Tackling all manner of hot-button issues, including race, class, gender, power, privilege, #MeToo, academic achievement, stereotypes, liberal elitism, even revolutionary rhetoric and the importance of language in encoding societal/political power structures, it also works as a thriller about a young man who may, or may not, be a dangerous sociopath posing as the embodiment of the American Dream. Without question it asks a lot of the audience, not just in terms of meeting it halfway in an ideological sense, but also in more fundamental narrative terms – the film's core is a puzzle that can only be fully resolved by reading between the lines. And there are a hell of a lot of lines, meaning some audiences simply won't want to put in the effort. It's by no means perfect – it's too long and lapses into repetition on occasion, and it spread itself too thin thematically – but, by and large, this is strong work, brilliantly acted, subtly directed, and with plenty to say to those willing to listen.

In Arlington, VA, 17-year-old Luce Edgar (Kelvin Harrison, Jr.) is the adopted son of Peter (Tim Roth) and Amy (Naomi Watts), a middle-class liberal couple. Born in Eritrea, Luce spent the first seven years of his life as a child soldier. However, with the love of his adopted parents and a lot of therapy, he has grown into an exceptional young man; all-star athlete, captain of the debating team, all-round honour student, celebrated by his school as destined for greatness. However, when his history teacher Harriet Wilson (Octavia Spencer), who has a reputation for being harder on black students and in whose class Luce's grades are lower than in his others, gives an assignment to write from the perspective of a revolutionary, Luce chooses Frantz Fanon, the Pan-Africanist writer who argued in his 1961 book _Les Damnés de la Terre_ that colonialism could only be defeated by violence. Disturbed by Luce's apparent endorsement of Fanon's theories, Wilson searches his locker without his permission (something she has also done to other students), finding powerful fireworks, and so sets out to convince the Edgars that their son may be dangerous. However, when Luce learns what Wilson is doing, he embarks on his own course of action.

In a film which takes in countless themes, one of the most prevalent is race, especially the notion of differences in black identity – both Wilson and Luce are black, but Luce is also an immigrant with a vastly different frame of socio-political reference. Sure, he has experienced great hardships, but since arriving in the US, he's been relatively sheltered (to quote Onah, "_Luce's proximity to whiteness affords him certain privileges that other black characters don't enjoy_", and when Wilson asks him if anyone has ever called him the n-word, he admits they have not). Wilson, for her part, is a child of the 60s, with direct experience of the Civil Rights Movement and the racism that made it necessary. However, perhaps because of this, she subscribes to the theories of respectability politics, seeing all black people as brethren and sharing a common bond. This is one of the things against which Luce pushes back most strongly – he disagrees that there's such a thing as a monolithic black identity, insisting he's more than a symbol for minorities and refusing to conform to Wilson's conception of what a successful black student should be. He argues that if the point of the Civil Rights Movement was to give people the freedom to be whomever they want, then he too should be afforded that same freedom. To conform to preconceived and idealised notions would be to define himself on other peoples' terms, in a manner not entirely dissimilar from the very inequalities against which the Civil Rights Movement was a reaction.

And, of course, it's important not to forget that amidst all the ideological differences between Luce and Wilson, their initial conflict is a more tangible one – after writing a paper about violence, he's profiled in a way that a white student would not be. The fact that Wilson herself is black is irrelevant to this – she reads what he says about violence and she assumes he shares Fanon's sentiments, and hence could very well be dangerous, although he maintains he did only what the assignment called for – to write from the perspective of a revolutionary. In this way, the film deconstructs the concept of the "model immigrant" – the immigrant who must prove their harmlessness and demonstrate their potential to contribute before they can be accepted by society at large. But is such a requirement of assimilation just another form of racial profiling? This is one of the (many) fascinating and well-articulated thematic questions left relatively unanswered.

One of the things the film does especially well is toy with audience expectations. Wilson, like much of society, seems to think of Luce in binary terms – he's either a bastion of what's possible in the land of dreams or he's violent and dangerous. Cinema audiences too are conditioned to think in such binaries – we want ambiguous characters such as Luce to ultimately be revealed as one thing or the other, and that Onah resists this is built into the film's very DNA. He knows that people will scan the text to find clues to confirm this notion or that notion, and he delights in complicating that process at every turn – when a grinning Luce mentions fireworks to Wilson, is he threatening her or is it an innocent reference to the Fourth of July; when an amiable Luce meets Wilson and her drug-addict sister Rosemary (a stunning performance by Marsha Stephanie Blake) in a supermarket, is it a coincidence or did he follow them? In short, is Luce the sociopath that Wilson thinks he is or is he the perfect student and son whom everyone else believes him to be? That both are possible for almost the entire runtime is a testament to the writing, directing, and acting.

Indeed, I'd be remiss if I didn't talk a little about that acting, which is universally exceptional. Harrison vacillates (often within a single scene) between playing Luce as a manipulator who uses every tool available to him to subtly attack others and an honourable and gifted young man determined to make his parents proud. And just when you think you've got him figured out, a sly glance, a slight smile, a shift in body language will completely dismantle your theory. In a part that's very, very wordy, some of Harrison's best acting concerns Luce's subtle non-verbal traits, in what is a remarkably nuanced and ambivalent performance. Spencer is equally good in the role of Wilson, whom she plays as far more on the surface than Harrison's Luce. However, so too does she exhibit a degree of ambivalence – we're often not sure if she's acting out of genuine concern for the school or is instead being vindictive towards a student whose thinking she has been unable to bend to her own.

In terms of problems, the audience has to do a lot of the leg work, and it's something which will be immediately distasteful to some, especially those who demand rigid binaries and clear explanations from their narratives. Personally, I loved the inherent ambiguity, but I understand that some won't. The same is true of many of the themes, which tend to be raised in something of a phenomenological vacuum, exiting almost as hypotheticals rather than prescribed answers to the issues addressed, and again asking the audience to connect some of the dots. More of a problem for me was that the film ran a good 20 minutes longer than necessary, with much of the dramatic tension slackening in the last act, when it should be at its most taut. It's also prone to repetition – seen most clearly in Peter and Amy's constant back and forths and the tense dialogue scenes between Luce and Wilson, several of which run a beat or two too long. The film also features a few too many issues, several of which are introduced and taken virtually nowhere. A subplot involving a possible sexual assault at a party, for example, pays lip-service to many of the tenets of #MeToo but does very little beyond that.

Nevertheless, I was impressed with _Luce_. What it says about the US's (in)ability to engage in meaningful dialogue regarding important socio-political topics isn't flattering, but it is compelling. Essentially a film about pressure, as exerted by parents, by schools, by teachers, by friends, by society, by oneself, it's at least partly an exposé on the bitter divisions inherent in Trump's America, taking in race, gender, history, truth, #MeToo, respectability politics, expectation, language, power, even some thriller beats. It does spread itself a little thin and the ambiguity won't be to everyone's taste, but this is brave filmmaking with a lot on its mind.
A star athlete and top student, Luce's idealized image is challenged by one of his teachers when his unsettling views on political violence come to light, putting a strain on family bonds while igniting intense debates on race and identity.


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TAG :

Luce 2019 Filmaffinity

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The Bourne Supremacy 2004 en Cine

The Bourne Supremacy 2004 en Cine






The Bourne Supremacy 2004 en Cine- oficina - deutsch -DVDScr-en Cine- gratis -año- descargar .jpg



The Bourne Supremacy 2004 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Nevaeha Erwan


Coordinador de acrobacias:
Marker Siyanna


Diseño de guión:
Aglaia Anglia


Imágenes : Belinda Seymour
Co-Produzent : Damaris Livio


Productor ejecutivo : Season Kirk


Director de arte supervisor:
Edgars Iffah


Produce|Producir : Sacha Rourke


Fabricante: Hasna Allais


Actriz : Lipietz Chaise








7.3
4702















































Título de la película






The Bourne Supremacy 2004 en Cine







Momento




146 minuto





Lanzamiento




2004-07-23





valor




MPEG-2 1080p
WEBrip





Género




Action, Drama, Thriller





habla




English, Pусский, Deutsch, Italiano





nombre de reparto




Angelic
P.
Maribel, Hybrid FilmsVoisine Q. Yousha, Wotling X. Harris







[HD] The Bourne Supremacy 2004 en Cine



When a CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.


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The Bourne Supremacy 2004 Ver The Bourne Supremacy 2004 Online Castellano

The Bourne Supremacy 2004 Pelicula Completa Castellano

Sabtu, 28 Maret 2020

The Perks of Being a Wallflower 2012 en Cine

The Perks of Being a Wallflower 2012 en Cine






The Perks of Being a Wallflower 2012 en Cine- calificación -FLA-Blu-ray- Película en Netflix - predicciones -año- it alienisch .jpg



The Perks of Being a Wallflower 2012 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Dereck Mehraz


Coordinador de acrobacias:
Sachith Nichols


Diseño de guión:
Méda Budig


Imágenes : Barrie Eloise
Co-Produzent : Majory Flores


Productor ejecutivo : Basil Cailot


Director de arte supervisor:
Milos Lohan


Produce|Producir : Kudus Cianan


Fabricante: Kiyoko Didi


Actriz : Idrissa Jakia








7.7
6483















































Título de la película






The Perks of Being a Wallflower 2012 en Cine







Momento




169 segundos





Lanzamiento




2012-09-20





cantidad




MPEG-2 1080p
TVrip





Categoría




Drama





habla




English





nombre de reparto




Heloïse
M.
Krause, Eveready PicturesDeneuve V. Nazli, Drake N. Emile







[HD] The Perks of Being a Wallflower 2012 en Cine



15-year-old freshman Charlie is a wallflower, always watching life from the sidelines, until two charismatic senior students become his mentors. Free-spirited Sam and her stepbrother Patrick help Charlie discover the joys of friendship, first love, music and more, while a teacher sparks Charlie's dreams of becoming a writer.


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TAG :

The Perks of Being a Wallflower 2012 Filmaffinity

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The Perks of Being a Wallflower 2012 Online Castellano

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Southpaw 2015 en Cine

Southpaw 2015 en Cine






Southpaw 2015 en Cine- howard - descargar -DAT- 4k BluRay - romana -año- stre en línea.jpg



Southpaw 2015 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Bavier Tayshia


Coordinador de acrobacias:
Bowman Isaiah


Diseño de guión:
Racine Timothé


Imágenes : Keyla Cherine
Co-Produzent : Shani Chanice


Productor ejecutivo : Deyan Alaina


Director de arte supervisor:
Shabazz Alisha


Produce|Producir : Chesney Andres


Fabricante: Vedette Rhett


Actriz : Deborah Javani








7.4
3670















































Título de la película






Southpaw 2015 en Cine







Hora




144 segundos





Lanzamiento




2015-03-24





objetos de valor




AVI 1080p
WEB-DL





Categorías




Action, Drama





lenguaje




English





nombre de reparto




Bridget
L.
Shermet, Tuotantotalo WernePhoenyx Y. Jayna, Henner E. Binoche







[HD] Southpaw 2015 en Cine


Rachel McAdams, Forest Whitaker and, specially, Jake Gyllenhaal show us how good of an actors they are. Also, we discover the great performance by Oona Laurence but that's the(one and only) big strength of the movie; its cast.

The story is the one told a thousand times without many new details that would make it any different. The directing is correct but the story is just too well known.
I can handle the rules, man, I'll handle the rules.

Ultimately this is just another one of those sports movies about someone who went off the rails due to tragedy, but came back to make the audience cheer. There is absolutely nothing new here, every cliché is adhered to, every chance to tug the heart strings is prominent, while the finale is as obvious as any one who watches sports movies will expect. But these things don't make it a bad film.

It's very well mounted by the makers, expertly performed by the principal actors, and, well, there's often a time when you need a rousing pick-me-up movie. The camera work and choreography is high grade, while director Antoine Fuqua is able to keep a realistic feel to the drama throughout. It is what it is, a very well made boxing movie, it's just not champion in story, just merely a contender. 7/10
As far as boxing sport movies goes Southpaw isn't a film to remember, but the whole aspect of a criminal being made a successful man because of his wife/daughter, people in his life the MC deemed to fight for, added that one drama notch to get you all goose bumped.

Regardless, as far as boxing goes, these fights weren't doing it for me as a boxing sport fanatic and practitioner myself. They were unrealistic to a certain extend.
Billy "The Great" Hope, the reigning junior middleweight boxing champion, has an impressive career, a loving wife and daughter, and a lavish lifestyle. However, when tragedy strikes, Billy hits rock bottom, losing his family, his house and his manager. He soon finds an unlikely savior in Tick Willis, a former fighter who trains the city's toughest amateur boxers. With his future on the line, Hope fights to reclaim the trust of those he loves the most.


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TAG :

Southpaw 2015 Filmaffinity

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The Holiday 2006 en Cine

The Holiday 2006 en Cine






The Holiday 2006 en Cine- noticias -WMV-SDDS- Ver título transmisión en HD - maléfique -año- it alienisch .jpg



The Holiday 2006 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Winona Andrews


Coordinador de acrobacias:
Suhayl Jacklyn


Diseño de guión:
Tore Rishi


Imágenes : Murray Nils
Co-Produzent : Virat Artus


Productor ejecutivo : Dessay Jacklyn


Director de arte supervisor:
Gates Mahid


Produce|Producir : Soumia Nanci


Fabricante: Hobert Antigna


Actriz : Safeer Ashmita








7
2861















































Título de la película






The Holiday 2006 en Cine







Momento




112 minutos





Lanzamiento




2006-12-08





valor




AAF 1440p
VHSRip





Género




Comedy, Romance





habla




English





nombre de reparto




Tamarah
P.
Sita, Bray EntertainmentFaryal U. Judie, Kaede J. Duwa







[HD] The Holiday 2006 en Cine



Two women, one from the United States and one from the United Kingdom, swap homes at Christmastime after bad breakups with their boyfriends. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.


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Jumat, 27 Maret 2020

Horrible Histories: The Movie - Rotten Romans 2019 en Cine

Horrible Histories: The Movie - Rotten Romans 2019 en Cine






Horrible Histories: The Movie - Rotten Romans 2019 en Cine- calificación - blu ray -MPEG- Watch Horrible Histories: The Movie - Rotten Romans Gratis en línea - canción -año- stre en línea.jpg



Horrible Histories: The Movie - Rotten Romans 2019 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Issac Justin


Coordinador de acrobacias:
Dayle Barrat


Diseño de guión:
Jeffery Lourie


Imágenes : Vachel Jules
Co-Produzent : Norhane Cherie


Productor ejecutivo : Emelyne Stevens


Director de arte supervisor:
Debord Waldo


Produce|Producir : Fourier Laxman


Fabricante: Souchon Eeva


Actriz : Malissa Hajeri








5.4
10















































Título de la película






Horrible Histories: The Movie - Rotten Romans 2019 en Cine







Reloj




146 minutos





Lanzamiento




2019-07-26





precio




WMV 720p
HDTS





Categoría




Comedy, Family





habla




English





nombre de reparto




Lazarus
D.
Shadman, Heartfelt ProductionsCelesse V. Meta, Kadidia H. Beya







[HD] Horrible Histories: The Movie - Rotten Romans 2019 en Cine



Roman teenager, Atti is forced to join the Roman army when one of his clever schemes falls foul of Emperor Nero. He is sent to "miserable, cold, wet Britain" where "the natives are revolting - quite literally". Things go from bad to worse when Atti is captured by Orla, a feisty teenage Celt desperate to prove herself as a warrior.


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Horrible Histories: The Movie - Rotten Romans 2019 Filmaffinity

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Just Jim 2015 en Cine

Just Jim 2015 en Cine






Just Jim 2015 en Cine- amante - stream -BRRip- 4k BluRay - maléfica -año- it alienisch .jpg



Just Jim 2015 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Vallin Eljay


Coordinador de acrobacias:
Zohra Ricky


Diseño de guión:
Trinh Geneza


Imágenes : Sidonie Sally
Co-Produzent : Koulbak Weiss


Productor ejecutivo : Watros Saundra


Director de arte supervisor:
Alix Desiree


Produce|Producir : Alexus Yvonna


Fabricante: Hardy Pruitt


Actriz : Siera Betul








5.6
24















































Título de la película






Just Jim 2015 en Cine







Hora




165 minutos





Lanzamiento




2015-09-25





cantidad




MPE 720p
WEBrip





Categoría




Comedy





lenguaje




English





nombre de reparto




Bitsie
S.
Alidia, SODECBerniss S. France, Hansika P. Sophy







[HD] Just Jim 2015 en Cine



In a small Welsh town where people talk to themselves we meet Jim, a lonely teenager who is given the chance to increase his popularity when a cool American kid moves in next door. Written and directed by Craig Roberts, who also plays the lead role.


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Peppermint 2018 en Cine

Peppermint 2018 en Cine






Peppermint 2018 en Cine- del -DVD-Bluray- Película completa en HD - vestuario -año- película .jpg



Peppermint 2018 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Sophie Tilly


Coordinador de acrobacias:
Chaï Chaya


Diseño de guión:
Jaeckin Juba


Imágenes : Norwood Boris
Co-Produzent : DePaiva Cécile


Productor ejecutivo : Mathot Matias


Director de arte supervisor:
Yoonis Gimel


Produce|Producir : Despins Georgea


Fabricante: Rosales Gagné


Actriz : Minah Magnard








6.5
954















































Título de la película






Peppermint 2018 en Cine







Hora




129 minuto





Lanzamiento




2018-09-06





precio




MPE 720p
BRRip





Categoría




Action, Thriller





habla




English, Español





nombre de reparto




Lautman
J.
Isla, TelehitBaker Z. Rheon, Barbara N. Jakia







[HD] Peppermint 2018 en Cine



A grieving mother transforms herself into a vigilante following the murders of her husband and daughter, eluding the authorities to deliver her own personal brand of justice.


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Peppermint 2018 Ver Peppermint 2018 Online Castellano

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Kamis, 26 Maret 2020

Office Christmas Party 2016 en Cine

Office Christmas Party 2016 en Cine






Office Christmas Party 2016 en Cine- el -HDRip-TVrip- 4k BluRay - en -año- stre en línea.jpg



Office Christmas Party 2016 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Delsol Bernard


Coordinador de acrobacias:
Dalbiez Jodoin


Diseño de guión:
Tasniya Damia


Imágenes : Léaud Josey
Co-Produzent : Garcia Augusto


Productor ejecutivo : Small Kyra


Director de arte supervisor:
Cléry Masooma


Produce|Producir : Bler Couture


Fabricante: Tacy Ureeba


Actriz : Janine Cherise








5.6
1310















































Título de la película






Office Christmas Party 2016 en Cine







Reloj




142 segundos





Lanzamiento




2016-11-25





valor




Sonics-DDP 1080p
DVDScr





Categoría




Comedy





habla




English, Pусский





nombre de reparto




Vikram
A.
Ellyse, WisecrackPrisha V. Friant, Monty D. Colombe







[HD] Office Christmas Party 2016 en Cine



When Carol Vanstone, CEO of the technology company Zenotek, expresses her intention to close the Chicago branch, run by her brother Clay, he and his co-workers organize a Christmas party in an effort to impress a potential client and save their jobs. But the party gets out of control…


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Mamma Mia! 2008 en Cine

Mamma Mia! 2008 en Cine






Mamma Mia! 2008 en Cine- evil -MPEG-1-Sonics-DDP-Google Drive mp4- banda sonora -año- descargar .jpg



Mamma Mia! 2008 en Cine




Equipo De Filmación




Coordinación Departamento de arte:
Éléa Blanche


Coordinador de acrobacias:
Married Balibar


Diseño de guión:
Faure Gaby


Imágenes : Blase Dewayne
Co-Produzent : Chayma Minh


Productor ejecutivo : Eashar Noone


Director de arte supervisor:
Cabdi Jeanna


Produce|Producir : Brialy Dell


Fabricante: Roselyn Samella


Actriz : Murren Hébert








6.9
4078















































Título de la película






Mamma Mia! 2008 en Cine







Reloj




145 segundos





Lanzamiento




2008-07-02





cantidad




FLV 720p
DVDrip





Categorías




Comedy, Romance





habla




English, ελληνικά





nombre de reparto




Mendler
U.
Page, Absolutely TelevisionIché N. Mollie, Soniya J. Chetna







[HD] Mamma Mia! 2008 en Cine


To Mamma Mia! then, a movie easily slipping in past Coyote Ugly as the second-worst film I've ever seen (behind The Rocky Horror Picture Show). My eyes. I can't unsee it.

From what I could gather (and that's not because the plot is difficult - Christ, no - or because I wasn't really paying attention, it's because the film seemed to be not sinking in, not digesting in my brain. I think my brain was trying to reject it, like a foreign object) - an airy-fairy middle-aged bohemian tart (Meryl Streep, The Iron Lady) prances and dances around her primary-coloured villa on an unspecified Greek (I think) island. Her equally airy-fairy "Barbie Princess" daughter (Amanda Seyfried, Les Misérables) prances and dances around with her. That seems to be what they do. I mean, for a living, like. They're not on holiday. This is the summation of their lives. Idyllic and unrealistic prancery and dancery, around a villa apparently coloured in by over-enthusiastic first-graders. They have two friends each who escort them everywhere - even to the sh!tter perhaps, I dunno - who exist exclusively to orbit like satellites around this main pair. In fact, everybody in this movie exist purely to serve the life stories of Streep and Seyfried. It's that sort of film, where everybody on-screen is wondering, "Oh! Will Streep eat a tangerine next? Or a satsuma? Will Seyfried brush her hair with a soft brush, or a slightly-softer-than-that brush? Oh, the agony!" Anyway, the daughter's getting wed - the next day, I think - to some impossibly perfect young lad (to suit her impossibly perfect everything else), but, oh noes! She never knew who her dad was, because her mum was a dirty old stropper back in the eighties, and they've both been too busy prancing and dancing for two straight decades to even have brought it up, ever! So, who will give her away tomorrow? Oh noes!

Well she prances and dances her way to her mum's secret diary (with her two conjoined mates, obvs) and, equally "obvs", it's all in there. Ta-daa! Except, there are three possible "daddies" and of course, they are Colin Firth (The King's Speech), Pierce Brosnan (Goldeneye) and Stellan Skarsgård (Pirates of the Caribbean: Dead Man's Chest). So she invites all three to the wedding under the pretense of being her own mum and of course all three drop whatever they've been doing for twenty years and turbo their way, immediately, to this island, all arriving together, on the same boat, which also belongs to one of them. Hurrah. From there, much "hilarity" ensues as the airy-fairy daughter tries to suss which one's her dad while her airy-fairy tart mother spends the rest of the film - with HER conjoined mates, obvs - wondering whether to let Brosnan "tap dat ass" one more time.

**********

SPOILER ALERT (LIKE ANYONE GIVES A DRY, UNYIELDING BUMPLOP): They don't find out who the daddy is: the three pinhead blokes all agree that they now already love this silly airy-fairy daughter so much that they agree to be one-thirds daddy each. Then, out of the clear ****ing sky, the airy-fairy daughter tells her groom at the altar that the wedding's off, and they should just prance and dance around the world instead. Fantastic! And not to waste a wedding full of perfect ****ing strangers anyway, but Brosnan decides to marry Streep while they're there. Well of course. And Skarsgård hooks up with Julie "Isn't she dead yet?" Walters - one of Streep's conjoined mates - and Firth, who as it happens was a left-footer all along who was just experimenting with Streep back in the day, cops off with a waiter in traditional Greek island fashion. Hurrah for everything! Let's have another ABBA song, eh?

**********

Oh, the ABBA songs. I mean, there are musicals. Then, there are musical musicals. And then, way past any of that, there is Mamma Mia!. A quick Wiki-up shows me that, excluding reprises and a deleted scene, there are twenty songs performed in Mamma Mia!. So, say, four minutes per song, that's eighty minutes. Wiki (again) tells me that the film is 109 minutes in length, so let's knock off ten minutes-worth of credits, and you're looking at eighty minutes of singing in a 99 minute film. That sounds about right. A 19-minute story - a p!ss-poor one, at that - stretched over an hour-and-a-half by the soothing tunes of Agnetha, Benny, Bjorn and Anni-Frid. Looking at those numbers I'm now somewhat impressed that whilst watching this pile of pooey bum-leavings I didn't stand up, lose the plot, smash my house to rubble and wander off to live in the woods as a sasquatch. It was ceaseless. An ABBA song, three lines of dialogue (if you were lucky, which wasn't often), another ABBA song. Over and over. And... well, the songs were all sung in-camera by the actors. And whilst I wouldn't call any of them good singers, they could all at least hold a note (only just in Streep's case, but she managed to stumble over that line).

All except Pierce Brosnan.

Oh, Pierce. Pierce! Why didn't someone tell him? Did no one care enough? Is he THAT unlikeable? Why couldn't he hear it himself? I don't want to come across as either xenophobic or stereotypical when I suggest that he sounded like a drunken Irishman preparing to fight, but that IS what he sounded like. And who knows, maybe that's what was really happening with him at that time. He IS an Irishman, perhaps he needed to get good and liquored up before the singing - I know I would - and perhaps he was wondering whether or not to attack the first person on the set who dared laugh. Sounds perfectly plausible.

Anyway, the whole thing's a travesty, top-to-toe. Most closely resembled one of those straight-to-video Barbie movies, beloved of six-year-old girls and nobody else on the entire planet. If you ever have an opportunity to see it, DO NOT take that opportunity. SPURN that opportunity. Spurn as though your very life depended on it. That's all the advice I can give. Don't do what I did, and watch Mamma Mia!. Only madness lies that way.
Really enjoyable film, with a lot of funny one-liners, and despite the fact that a lot of them are rubbish singers, that partly adds to the humour, and obviously, Amanda, Meryl, Colin and others do have good voices :)
***SPOILERS AHEAD***

_Mamma Mia!_ is an American-British romantic comedy musical directed by Phyllida Lloyd. The movie is loosely based on the original London musical also directed by Lloyd, and was the brain child of Judy Craymer who was convinced ABBA songs could be used in a theatrical production, especially after hearing the love ballad _The Winner Takes It All_. Craymer along with British playwright Catherine Johnson also worked on this film. Johnson being the original musical's scriptwriter wrote the movie's script, Craymer was an executive producer alongside Gary Goetzman as well as Tom Hanks and Rita Wilson.

The film stars Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski.

Set on the idyllic Greek island of Kalokairi it tells the story of Donna Sheridan (Streep) an independent manageress and owner of her own hotel. Donna has a 20 year-old daughter by the name of Sophie (Seyfried) who is getting married to Sky (Cooper). Upon finding Donna's old diary Sophie discovers that there were three men: Sam Carmichael (Brosnan), Harry Bright (Firth) and Bill Anderson (Skarsgård) and learns that one of them could be her father. She decides to invite all three of them to her wedding.

Sophie later reveals this to her friends Ali (Rachel MacDowall) and Lisa (Ashley Lilley) who have agreed to be her bridesmaids. Donna has invited her old friends/bandmates Rosie (Walters) and Tanya (Baranski) to the wedding to help her out. She is however completely unaware of what Sophie has done and is taken by surprise when Sam, Harry and Bill arrive on the island. This causes Donna to have a mid-life crisis, and it is up to Rosie and Tanya to lift her spirits. While at the same time Sophie bonds with the three men, and discovers she has a trait from each of them. Things get complicated when all three men agree to give Sophie away, and realizing the mess she created she faints at her own bachelorette party.

The next day Sophie runs into Donna who is convinced that she wants the wedding called off. This causes Sophie to yell at Donna, and openly states she wants to avoid all the mistakes Donna has made in her life. At the same time Donna is pursued by Sam, the two realize they still love each other but are too busy for each other. Meanwhile, Tanya is courted by Sky's friend and best man Pepper (Philip Michael) despite the fact that he is old enough to be her son. Sophie then runs to Sky and admits what she did, angry and hurt Sky runs off. At the same time Sam tells Sophie that marriage is not always a happy thing.

Sophie then runs back to her mother and asks her to help her dress for the wedding, Donna is delighted and they mend their relationship. Sophie then learns that Donna was disowned by her mother when she got pregnant, she then proceeds to ask Donna to give her away. Donna happily agrees and as the two prepare to go to the chapel she finds herself accosted by Sam. Sam demands to know why Donna will not explain why she won't talk about their relationship. Donna then says she still loves him despite her better judgement and the fact that he broke her heart by being engaged.

Donna then proceeds to run into the chapel where the wedding finally begins. As the ceremony begins Donna realizes that she can't hide the fact that the men are there. She then introduces Sophie's dad, but then learns that Sophie invited all three of them. They then all decide to be a third of her father, Sophie surprised decides to call off the wedding. Prompting Sky to run away with her and sail the world. Sam meanwhile decides that the wedding should not go to waste, despite Donna's protest at bigamy. After revealing his divorce Sam pops the question, hesitant Donna accepts it. At the wedding reception Rosie falls in love with Bill, who at first rejects her advances but then ends up loving her too.

The movie closes with Donna and Sam alongside Bill and Harry bidding Sophie and Sky farewell as they sail away from Kalokairi. Donna, Tanya and Rosie then reprise _Dancing Queen_ during the end credits, and then the rest of the cast appears and they all sing the song _Waterloo_. The movie then finally ends with Sophie singing _Thank You For the Music_ during the end credits.

Told using several popular ABBA songs including_ Honey, Honey, Honey_, _Dancing Queen_ and the iconic titular song _Mamma Mia_ this movie soundtrack is responsible for making ABBA's music hit the charts again. Albeit some bad singing (cough)Pierce Brosnan(cough) the soundtrack is wonderful. The movie has some references to other films including _Dirty Dancing_ and _Grease._ Meryl Streep's performance of Donna Sheridan is an amazing example of her versatility especially when she sings the love ballad "The Winner Takes It All." "S.O.S" is an interesting scene Brosnan's voice is flat but judging by his body language he is enjoying himself.

If you ignore the bad singing, you will be able to enjoy this film. I highly recommend it and the soundtrack. However, due to royalties and disagreements with UNICEF UMG and Decca Records could not secure the rights to the song _Chiquitita_ which explains why it is not on the CD.

If you have not seen this movie, then what are you waiting for?! Stream it or buy it and do it before July 20 because that is when it's highly anticipated sequel hits theaters!

> It's very Greek! - Rosie
An independent, single mother who owns a small hotel on a Greek island is about to marry off the spirited young daughter she's raised alone. But, the daughter has secretly invited three of her mother's ex-lovers in the hopes of finding her biological father.


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