Doctor Sleep 2019 en Cine

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Doctor Sleep 2019 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Fabrice Harry


Coordinador de acrobacias:
Anjlee Soriano


Diseño de guión:
Godin Viénet


Imágenes : Ernis Jaiven
Co-Produzent : Tayyab Margery


Productor ejecutivo : Kiva Celie


Director de arte supervisor:
Denzil Mado


Produce|Producir : Clouet Issam


Fabricante: Buddug Faris


Actriz : Yona Sanaya

7.1
665

Título de la película	Doctor Sleep 2019 en Cine
Duración	112 minuto
Lanzamiento	2019-10-30
cantidad	SDDS 1080p DVDrip
Categoría	Horror, Drama, Fantasy
habla	English
nombre de reparto	Lavern M. Pascala, UmediaCullen J. Ziyad, Clavier P. Alaiza

[HD] Doctor Sleep 2019 en Cine

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There's this misconceived idea that "scary movies" are the ones with demons, monsters, or ghosts literally showing up in jump scare sequences, one after another, accompanied by an extremely loud sound. Granted, we're scared of what we're scared of. No debate here. However, one common complaint about this type of horror films is that they aren't "scary enough". I couldn't disagree more. These movies are the ones that truly get to us and stay with us for a while. If we watch a film with cyclical jump scares, we're going to forget about it as soon as we leave the theater. Movies with a horrific story, based on relatable themes, those are the ones that leave us uncomfortable and disturbed. I'm just writing this "prologue" to say that you shouldn't go in expecting a "scary" film. At least, not in a mainstream way. Moving on...

As you probably know by now (if you don't, check out my The Shining's review), I'm a huge fan of Stanley Kubrick's adaptation of Stephen King's novel of the same name. It's a cult classic horror movie, one that influenced generations to come, especially regarding filmmaking techniques and equipment. With that said, Mike Flanagan had one of the toughest jobs of 2019. Not only did he need to deliver a sequel worthy of being associated with a beloved classic, but he had to deal with all the differences between the source material and Kubrick's changes. I'm going to leave a SPOILER WARNING for The Shining since the film came out 40 years ago, and I already wrote a review about it. Still, SPOILER-FREE for Doctor Sleep, don't worry.

In case you don't know, the major difference between King's book and Kubrick's cinematic adaptation is the ending. In the book, Jack Torrance forgets to relieve the hotel boiler's pressure, and it explodes, destroying the hotel and killing Jack in the process. In Kubrick's movie, Jack freezes to death in the maze outside the hotel while chasing his son, while the hotel stands tall. Flanagan is able to do the impossible: he perfectly continues the story left by Kubrick while respecting King's "demands". Just don't go with a "purist" mentality, thinking that Flanagan doesn't have the right to explore and expand "the shining". It's a sequel, so expect things to be added to the story (nothing is removed or retconned, so relax). As long as it makes sense, be always open to new ideas.

As the director, Flanagan proves once again he's a pretty talented guy by seamlessly recreating some of The Shining's most iconic scenes, but also by delivering some tricks of his own. With the help of his amazing cinematographer, Michael Fimognari, they are able to generate incredible levels of tension, characteristic of the original film. As the editor, he puts together everything remarkably well. The sequences inside someone's mind are wonderfully handled and provide some of the best moments of the entire movie. However, there's a massive difference when it comes to how the runtime flows in each film.

Both cross the 140-minute mark, and both purposefully employ slow pacing. Nevertheless, The Shining feels like it goes by way faster than Doctor Sleep (and mathematically it does have less 5-10 minutes, but that's not the point). Why? Due to Kubrick's movie constantly having long takes and extense dialogues, while Flanagan's installment has a modern approach with regular cuts plus much more action. Audiences presumably won't think of this (it's not like the "average Joe" notices or even cares if a scene has been going for 5 minutes straight or pieced together with 50 cuts), and just assume that the latter is more boring than the first without really understanding why.

People will probably blindly blame the story, but Doctor Sleep has a lot more "blockbuster entertainment" than The Shining. The latter is pretty much two hours spent inside a hotel where dialogue is the primary source of entertainment (things only go crazy in the last 15-20 minutes), and we all know that the general public usually doesn't fall for that. The sequel has a lot more action, subplots, and characters, so the runtime should go by faster than the original, right? No. This film is the number one proof that I'm going to use from now on to defend that uncut dialogue sequences and overall long takes are the best way of managing an extended runtime without it feeling too "heavy", especially in a psychological horror flick.

I wrote all these last paragraphs not to complain about the movie's being too slow, too long, or too dull. I'm just trying to help everyone understand why the film might feel slower and (much) longer, while protecting its story because the screenplay is indeed extremely well-written. Like in the original, exposition is handled beautifully with scarce lazy displays, but it's the characters of Ewan McGregor and the debutant Kyliegh Curran that carry the narrative effortlessly. McGregor is the perfect casting as Danny Torrance, and he does a great job of embodying Dan's personality. However, it's Danny's journey through his young and adult years that impresses me.

Exceptional character development! Danny's life after the events at the Overlook Hotel is as realistic and logical as it could be. Flanagan does a phenomenal job in handling this character and throwing just the right obstacles in his path. The way he deals with the aftermath of The Shining, how he grows up as a man, and even what he ends up doing for a living, everything is absolutely perfect. Furthermore, he's not alone. Abra is a badass young girl who wants to use her "shine" to protect others, but this time it's the actress that steals the spotlight from the character. Kyliegh Curran delivers one of the best young acting debuts I've ever witnessed. She's wonderful as Abra, and her range of emotions is already surprisingly vast.

She has some of the best scenes of the movie, especially when she's "fighting" Rose the Hat, but here is where we get to my major issue with the film. Rebecca Ferguson gives an outstanding performance, no doubt about it. She elevates infinite sequences, giving 200% to her role. However, her character and The True Knot group are the only significant flaw of this sequel. When writing a villain, there are basically two paths for success: either make the "bad guy" a compelling character with whom the audience can create some sort of empathy with and understand where he/she comes from, or turn him/her into a menacing, powerful, scary force that makes us fear for our heroes.

Flanagan apparently chooses the latter route, and unfortunately, it's his only misstep. I don't know if King didn't allow for changes to Rose or The True Knot cult, but they don't quite work when adapting to the big screen. Not only their history is never truly explored, but their motivations are too shallow, so I didn't care for a single character from the group, not even Rose. If she was the "menacing, powerful, scary force" that I wrote above, this wouldn't be so important, but the truth is she isn't. As the narrative progresses, there's a constant reminder that our heroes are in danger and that Rose is astonishingly strong, but the interactions between her and Abra prove the contrary. So, I never really felt frightened or overwhelmed by her.

A decent portion of runtime is handed to Rose's group, but its development didn't work for me at all. They're not bad villains, and they're still more fleshed out that a lot of characters in horror movies. I just think something's missing. Nevertheless, that's the only major problem I have with the movie. For true fans of The Shining, the countless references and Easter Eggs are such a delight (there's good and bad fan-service, the one present in this sequel only appears after we are already invested in the story and its characters, demonstrating once more Flanagan's talent). From the haunting and addictive score that The Newton Brothers are able to seamlessly adapt to the sequel to the influential Kubrick's framing, Flanagan and his team produce something pretty extraordinary having in mind this is a sequel to one of the most beloved horror films of all-time.

In the end, Doctor Sleep might be the first sequel/remake/reboot/whatever to a cult classic movie that doesn't diminish the original, disgracefully copies it or takes something away from it, while actually being an individually great film with a captivating narrative and compelling leads, plus the right amount of homages to the classic. Mike Flanagan took the impossible task of balancing both Stephen King's The Shining and Stanley Kubrick's cinematic adaptation, and successfully nailed pretty much everything regarding the connection between the main stories. In addition to the slow pacing not working as well as in the original, The True Knot group is the big stumble in an otherwise pretty consistent screenplay. However, the phenomenal cast (with a terrific debut performance from Kyliegh Curran) elevate every scene, ultimately driving the sequel to a nostalgia-full ending that will turn out to be divisive among fans. I stand on the good side. Therefore, I genuinely appreciate this movie. If you're a fan of the original, you can't miss this one!

Rating: A-
‘Doctor Sleep’ could go either way with ‘The Shining’ fans - some will see it as a perfect follow-up, others will deem it too different (which I think is a good thing). ‘Doctor Sleep’ works as both and also stands on its own; you could fill in the blanks pretty easily if you had never read or seen the original film. It’s a fun supernatural horror film aided by fantastic performances by Ferguson and Curran.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-doctor-sleep-heres-the-shining-stephen-king-has-been-waiting-for
A traumatized, alcoholic Dan Torrance meets Abra, a kid who also has the ability to "shine." He tries to protect her from the True Knot, a cult whose goal is to feed off of people like them in order to remain immortal.

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Knives Out 2019 en Cine

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Knives Out 2019 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Varden Izia


Coordinador de acrobacias:
Senapus Lilyana


Diseño de guión:
Auteuil Seona


Imágenes : Natuche Muqadas
Co-Produzent : Gerard Chadd


Productor ejecutivo : Shahzad Sonna


Director de arte supervisor:
Raylan Davon


Produce|Producir : Merissa Cézanne


Fabricante: Jordane Ruyssen


Actriz : Elliana Firdaws

7.8
1097

Título de la película	Knives Out 2019 en Cine
Duración	124 minutos
Lanzamiento	2019-11-27
cantidad	FLA 1440p HDTS
Categoría	Mystery, Thriller, Comedy
habla	Español, English
nombre de reparto	Arnou L. Izabel, T2 StudioTougas W. Miran, Dheeran X. Rayan

[HD] Knives Out 2019 en Cine

This is a crime thriller that’s been a long time in the making. Mystery fans rejoice: ‘Knives Out’ is an impeccable cinematic achievement, laced with sardonic wit, division and conflict, and of course a perplexing puzzle. This is easily one of the most fun films of 2019 - it’s both a brilliant piece of entertainment and beautifully crafted enigma. Sit back, relax, and try to crack the code.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-knives-out-a-whodunnit-worthy-of-agatha-christies-hercule-poirot
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Knives Out has been shown in numerous festivals, and it received massive acclaim in literally every single one of them. Therefore, its hype grew more and more until its wide release date. Before the film, I can’t deny that I was indeed affected by the whole “a whodunnit like you haven’t seen in years.” I went into the theater with high expectations, not only due to the festival praise but due to its jaw-dropping cast. It’s uncommon to possess such a renowned ensemble and deliver a “bad” movie, especially when Rian Johnson is writing and directing it (yes, I like The Last Jedi, and even if I didn’t, he did other stuff, you know?). It’s one of those films everyone knows it’s going to be appreciated by a considerable part of the world.

Even the genre itself is a very welcome type of cinema entertainment in regards to both critics and the general public. So, does it live up to its hype, or it fails to reach such high expectations? Knives Out is one of the best movies of the year, as well as one of the best mystery-suspense stories of the millennium (everyone is doing the whole “best X of the decade,” I’m going one step beyond). This is a film I know I’m going to rewatch countless times throughout the next years. Usually, when it comes to whodunnits, people are misled into thinking that from the moment they know who “did it,” the movie loses its interest. This is rarely true, and Rian Johnson succeeds because he doesn’t need the ultimate reveal to deliver a great story.

This screenplay is definitely getting tons of nominations and wins during the awards season. Every little line of dialogue means something. Every single character says or does something impactful to the narrative (except for Jaeden Martell’s). It’s been half-a-day since I’ve seen it, and for every question that my brain comes up with, there’s an answer lying on someone’s words or actions. It’s such an intricate, complex, extremely subtle script. One with so many tiny, little details that it’s impossible to catch them all on a first viewing.

I genuinely love the first act, even if it’s the one where I have a minor issue. Rian Johnson doesn’t waste time and puts us directly in the crime scene, interviewing each and every member of the family. It’s through these interrogatories that he cleverly introduces the suspects, developing them solely through masterfully written dialogue, and outstanding performances. For example, with a single sentence and a particular body/face expression, Toni Collette instantly creates a profile of Joni, her character. Rian plays with character-types and cliches in such an intelligent manner. He makes us think a particular character follows a specific cliche, then it doesn’t, then it does again…

That’s one of the reasons I couldn’t figure out the mystery until the last act reveal. Every time I was close to indeed follow the right path, new developments arise, meant to mislead, confuse, and create doubts. Some people feel better with themselves if they solve the case before the film. They feel “intellectually superior” just because they found out before everyone else. First of all, I prefer being fooled and end up blown away by an unexpected conclusion than solving the whole thing way before time’s up and end up disappointed and bored. Then, honestly, anyone who says, “I guessed it,” there’s a 99% chance that they’re either lying or not answering correctly to the question “who killed Harlan?” If you’ve seen the movie, you’ll understand what I’m trying to express.

(I don’t want to sound presumptuous or hypocritical. I’m not trying to say, “I couldn’t figure it out, so no one can.” Please, if you haven’t seen the film, judge the previous paragraph after your viewing.)

Throughout the second and third acts, loose ends start to tie up, ending up with a brilliantly delivered reveal. From the marvelous cinematography (with those classic close-ups when a character is about to say something meaningful or tell a story through their imagination or memory) to the remarkable editing, the team behind Rian Johnson did a phenomenal job. The suspense is held at high levels, and it reaches limit-breaking points with Marta Cabrera’s (Ana de Armas) narrative. Armas and Daniel Craig deliver the standout performances, with Chris Evans (Ransom) following right behind. Literally, everyone else offers excellent displays, and help carry a story filled with mystery, but also with a lot of humor.

However, I have to emphasize how astonishing Ana de Armas and Daniel Craig are. Ana might be a bit unknown to most people. I’ve been supporting her ever since Blade Runner 2049, so I’m ecstatic that she finally got a major role in a big movie, especially within an ensemble of actors with legendary careers. Craig, who could have just delivered a slight variation of the character he’s been playing for years, instead offers a unique take on the Detective role. Just like Evans, both have been playing iconic characters for years, so it’s sort of an extra joke to everyone who watched Captain America and James Bond for the past decade or so.

My only minor issue has nothing to do with the political undertone and the social messages Rian Johnson puts in this film. Honestly, I love that aspect of it. It’s like Rian knew some people would complain about it, so he made sure to have a couple of characters (Jaeden Martell’s Jacob and Katherine Langford’s Meg) somewhat resembling the so-called snowflakes and all that. No, my issue is related to some excessive exposition regarding the first act’s interrogatories. It’s great that every character gets their own motivations, but it feels like each confrontation with the detectives went on for a bit too long. Some pieces of the mystery might be a bit hard to believe that they would occur, but these are all nitpicks in a remarkable movie.

In the end, Rian Johnson is able to bounce back from the divisive The Last Jedi with one of the best whodunnits I’ve ever seen, Knives Out. Rian proves that not only he’s a talented filmmaker but also a phenomenal screenwriter. With a renowned and impressive ensemble cast, Daniel Craig and Ana de Armas are standouts within all of the other outstanding performances, Chris Evans being right behind. With one of the best screenplays of the year, the mystery at its center keeps everyone extremely captivated until the very end, even if you guess “who did it” beforehand. Masterfully written dialogue, remarkable editing, and great use of classic cinematography techniques. It’s an entertaining story with tremendous replay value and significant political/social layers that only elevate the already complex yet subtle narrative. Don’t miss it!

Rating: A
I did not think that _Last Jedi_ was a very good movie, but I have always been a fan of Rian Johnson. And honestly? _Knives Out_ is a strong contender for his best work yet. I have never seen a whodunnit like this before. Seeing this in a theatre was the poppy-poppy-paper of movie-going experiences, because I so enjoyed that.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.

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The Shallows 2016 en Cine

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The Shallows 2016 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Ismaïl Ksenija


Coordinador de acrobacias:
Raynard Marsel


Diseño de guión:
Anders Alverta


Imágenes : Bray Linden
Co-Produzent : Eshan Ashton


Productor ejecutivo : Eileen Manuela


Director de arte supervisor:
Braedon Natalie


Produce|Producir : Arte Sandy


Fabricante: Kallon Florin


Actriz : Ahnaf Bliss

6.3
3366

Título de la película	The Shallows 2016 en Cine
Momento	114 segundos
Lanzamiento	2016-06-24
valor	WMV 1440p HDTS
Categoría	Horror, Drama, Thriller
lenguaje	English
nombre de reparto	Zephyr K. Willena, Wapa TVRizwan I. Shuheda, Cadieux F. Chantae

[HD] The Shallows 2016 en Cine

All you should need to make a good movie is a girl and a shark, but Serra fails to deliver the basics, instead fashioning a movie that too often resembles a female oriented riff on an '80s Old Spice commercial. The Shallows is a damp squib.

Read the full review at http://www.themoviewaffler.com/2016/07/new-release-review-shallows.html
"Jaume Collet-Serra’s woman-vs-wild thriller is beautiful, bigscreen Hollywood nonsense that manoeuvres/manipulates the viewer into the kind of submissive state only the finest summer crowd-pleasers can achieve..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/8/19/the-shallows.html
**Very close to the shore, yet too far and dangerous to attempt.**

I'm sure you have seen shark attack films like 'Jaws', 'Deep Blue Sea' et cetera, and yep this another one to add to that collection. But this was something very neatly done, I mean for the most of the parts. Looked so real, so I thought it might end up top among its similar theme. In the end, I was little disappointed, because of the shark. The portrayal of shark was very natural, until the last half an hour. Then it becomes the common film gimmick when the animal was obsessed to kill its target at any cost.

I am a huge animal fan, but I have never seen a live shark in my life and that does not mean I don't know anything about them. Thanks to the nature television networks and what I saw in this film was very disappointing if you love wild animals. I am not supporting the shark here, I'm just talking about its behaviour. It was not right, other than that, I definitely enjoyed the film. In fact, except the final few minutes, since the shark got pumped up, I had no issue and the best shark attack film. But the final battle ruined overall favour I'm going to give to it, what I thought this film deserved.

Great location, and Blake Lively was unbelievably awesome. In the initial part, she was very sexy, but once the narration shifted its focus on surfing and later shark attack, everything changed. The entire film was edgy, I think very nicely written screenplay. It was a limited cast film and nearly the whole film takes place very close to the shore. A good start, neatly maintained mid part, but a below par conclusion, that's what I think about the film. Slightly missed to be a great film in the line of '127 Hours'. In fact, this looks like a sea version of that film. But I still recommend it, because it's worth.

_6.5/10_
As a shark fanatic (thanks, Jaws), I was excited to see The Shallows. When I first saw the trailer, I thought the concept--more 127 Hours than Jaws--was interesting: A single person, alone on a rock, trapped a mere 100 or so yards offshore, in shark-infested waters.

Most shark movies follow the Jaws formula to a T: Shark attacks a bather, someone in position of authority decides something must be done and the beaches should be closed, someone of higher authority thwarts that attempt, more people die, our hero finally has to confront the monster.

But The Shallows produced a new and fresh take on the same old fish tale. The first half of the movie is similar to Open Water, relying on tension and little fanfare. Then, the shark explodes onto the screen for a few moments, and the movie suddenly becomes a high octane thriller. Basically, though the shark is the main antagonist of this story, all the scenes with the shark in them are much less interesting. I was more engaged with Blake Lively and that damn seagull. She was likable, and I bought into the survival story and was really rooting for her.

There were moments, when The Shallows relied on suspense, that the film become Hitchcockian in tone. We know the shark is out there, but we can't see him. The second we do, the suspense dies instantly. Parts of the movie were small and intimate, much like an independent film. And those were the strengths.

But it almost feels as if the director wanted to do a mash up of a simple suspenseful stalking movie, combined with elements of a survival movie. And again, all that worked for me.

But the sensationalism of the shark stuff was over the top in my opinion. It gave the movie an uneven feel. It was, at times, both a suspenseful stalker type movie with survivalism thrown in, and, then, seemingly out of nowhere, it became an over-the-top summer blockbuster type movie.

It gives it the look of a movie where director and producer didn't see eye to eye. It really seems like the shark action sequences were forced into the movie. They just didn't fit the overall tone. That's this movie's biggest downfall. Yes, the shark has to be there, yes he has to be dangerous. But the way it is presented through the film needs to fit the overall tone of the movie. At one point, the shark eats three people in the course of-- what?--an hour or so? So what was set up, was a small movie. An intimate movie. Something closer to The Blair Witch Project or Open Water, but what we got in the end, was something closer to Friday the 13th.

This movie could have been so much more, by being so much less. Excess is not always best.

In all fairness, The Shallows could have been much worse too. The things that did work, worked well--well enough that with some inventive direction, could have carried the film by themselves. But alas, the over the top violence and sensationalism trumped suspense and creative storytelling, which downgrades The Shallows from something special and unique, to just a "good" movie.

The locations were beautiful, and seeing them in 4K HD on a huge screen was quite impressive.
**An exceptional movie involving a hungry shark**

Plot is simple yet so catchy and interesting. After a few minutes you
will start to care about the main protagonist, so much that you will
cross your fingers hoping for the best. Everything (or almost
everything) is going to feel realistic, and there is not anything wrong
with the main antagonist ... it is totally well made.

Great performance by Blake Lively (Nancy Adams) too. I will also
mention the impressive landscapes because they literally left me
speechless. I would have appreciated a more detailed background story
but I will not complain as this movie was a really great experience.

Watch it, especially if you are into suspense and sharks!

_(8 stars out of 10)_
When Nancy is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark. Though she is stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy's ingenuity, resourcefulness, and fortitude.

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El Chicano 2019 en Cine

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El Chicano 2019 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Swati Kaden


Coordinador de acrobacias:
Moheen Marsel


Diseño de guión:
Issiah Rishi


Imágenes : Talesha Lévinas
Co-Produzent : Trevino Artus


Productor ejecutivo : Deion Ansley


Director de arte supervisor:
Barkley Sneha


Produce|Producir : Deacon Joli


Fabricante: Alycia Euros


Actriz : Aimun Astou

7
10

Título de la película	El Chicano 2019 en Cine
Reloj	158 segundos
Lanzamiento	2019-05-03
precio	AVCHD 720p Blu-ray
Categorías	Drama, Action, Crime
habla	English
nombre de reparto	Yolonda B. Feydeau, Iambic ProductionsBoone Q. Azaria, Jashan D. Brochet

[HD] El Chicano 2019 en Cine

A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.

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Spy 2015 en Cine

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Spy 2015 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Hugh Bonnard


Coordinador de acrobacias:
Viète Danny


Diseño de guión:
Klein Flood


Imágenes : Brachet Krista
Co-Produzent : Lucius Lotye


Productor ejecutivo : Afshan Raida


Director de arte supervisor:
Russel Levente


Produce|Producir : Namory Eugenia


Fabricante: Nynette Liza


Actriz : Marlon Madder

6.8
4162

Título de la película	Spy 2015 en Cine
Hora	177 segundos
Lanzamiento	2015-05-06
cantidad	MPEG 720p HDTS
Género	Action, Comedy, Crime
habla	Deutsch, English, Français, Italiano
nombre de reparto	Jaylynn F. Mahé, AplaplacTameka K. Lealia, Cambell R. Aupry

[HD] Spy 2015 en Cine

> A redefined wonderful spy movie.

I know Melissa McCarthy since 'Gilmore Girls', but never thought she would rise this far, especially to dominate in a movie with the presence of the big names around her, that too in an action film equivalent to top quality. She's one of my favourite actresses, even I enjoyed thoroughly her under-appreciated 'Tammy'. So this is where the action stars become comedians and comedians action stars. Indeed, it worked out so well.

It shames comedy-spy flicks like 'The Pink Panther', 'Johnny English' etc. From the director of 'The Heat', helmed another perfect female oriented comedy. Jude Law was a decent as usual, but Jason Statham was unbelievably awesome in his tiny part. I had plenty of good laughs, the loud ones after a long time. I still remember the unicorn joke and I can't stop laughing. And roof over a bike, gadgets and so on... I find Melissa McCarthy's line deliverance are so funny and I enjoy her films specially for that reason.

I know they used a stunt double and blue/green screens in the crucial segments for a better result. But still she excelled in all stunt sequences that required physically herself in front of the camera. One of the trivia says, after the end of each day shooting, she looked like fell down an elevator shaft. Her hard work definitely paid off very well.

There are lots of adult oriented comedy, so strictly it is for grownups only and may be matured teens. I'll be definitely disappointed if they won't make a sequel for this. If they do, I hope they retain all the cast, especially Statham along the lead actress. And finally I'm looking forward the director-actress's the third collaboration, 'Ghostbusters'.

7½/10
These things are really, **really** not for me. I found a couple of laughs in Statham's role but beyond that _Spy_ did nothing for me. I know folks who do enjoy this, and other Feig/McCarthy films, but I genuinely do not understand the appeal, maybe Spy is better than the others, maybe not, but it did absolutely nothing to turn me around on these collabs.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I have just got to say that I am a bit biased, simply because I love this movie. Jason Statham and Melissa McCarthy are awesome together in their roles, and even though Jude Law does a decent job as well, this movie is all about Melissa and Jason to me.

I find the language of the character of Jason Statham to be very ugly, but still, it is needed to make his character be in the way it is supposed to be. And to be honest, he is completely hilarious!

Melissa is something very similar, and she is perfect for her role as an analyst that has to work undercover, taking the place of all other agents whose identities have been revealed to the "enemy".

You will get lots of reasons to laugh throughout the movie, and it is incredibly easy to enjoy every second.

A little warning
You should be warned though... if you like this kind of humor, it is awesome. But, if you like to eat lemon and feel angry when people behave in stupid ways in movies (like in Mr. Bean and in Dumb and Dumber), this is most likely not a movie for you!

But, if you like crazy humor, you should go ahead and watch this movie - it is pure gold!
A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.

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Elysium 2013 en Cine

Elysium 2013 en Cine- en línea -HDTS-Bluray- Película completa en inglés - horarios -año- it alienisch .jpg

Elysium 2013 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Pink Cesar


Coordinador de acrobacias:
Hooks Daniela


Diseño de guión:
Rosalyn Pria


Imágenes : Fraisse Chiana
Co-Produzent : Edgardo Judie


Productor ejecutivo : Billye Heaven


Director de arte supervisor:
Kelsie Darcy


Produce|Producir : Eugenie Daval


Fabricante: Arafath Anuksha


Actriz : Ynes Harnek

6.4
5780

Título de la película	Elysium 2013 en Cine
Hora	146 minuto
Lanzamiento	2013-08-07
cantidad	DTS 720p TVrip
Género	Science Fiction, Action, Drama, Thriller
habla	English
nombre de reparto	Fidan E. Matilda, Quasar MultimediaChaunte D. Slania, Korbin A. Marks

[HD] Elysium 2013 en Cine

Parece que fuera el sino de la tierra y de los hombres, situacion que es posible observar a traves de la historia universal. Pero no seria posible hacer una película que muestre lo contrario? sería una lección o un modelo para todos en un mundo tan convulsionado?
If you want an action movie, this one really rocks. There are some unneeded clichés but, all in all, is quite an enjoying journey.

In addition, Matt Damon, Jodie Foster and, remarkably, Sharlto Copley perform at great level.
Wow... Where do I begin? I just got back from the cinema and I can still feel the adrenaline rushing through me. I was already a huge fan of director Neill Blomkamp's previous effort, District 9, so my expectations were running pretty high. And for once, I was not disappointed. No, I got even more than I could have hoped for.

Elysium is a terrific film. Plain and simple. The story is fairly simple, which I consider a good thing because the plot was easy to follow and so it wasn't overly complex and trying to be too intelligent and contrived. It is the year 2154, and planet Earth is one hot mess. The rich reside on a space station called Elysium while the poor remain on Earth, basically grabbing at every straw just to get by. The story we follow is that of Max, who, after a terrible accident at work, is in dire need of medical help, which is only available at Elysium. In order to get there, he must go to extreme measures. I won't tell you anything else, because that would just spoil the fun.

Max is played by Matt Damon, and he is very good in this role. He truly carries the film, start to finish. It always pleases me to see an actor who is just as good at tackling the character elements as well as the action parts of his role. When you think about it, that doesn't actually happen that often. Matt Damon can do both perfectly, and he is convincing in every aspect. Jodie Foster plays the role of senator Delacourt, a rich bitch who thinks she can get away with anything just because she calls the shots on Elysium. Well, somebody's about to prove her wrong... I absolutely love Jodie Foster, so it's hard not to gush, but she is a delight to watch. Her character is cold, calculating and without a sliver of conscience. And Jodie is so convincing you just want to slap her. It was great, and the fact that her accent is a little weird and distracting at times, is easily forgiven. William Fichtner also appears in a relatively small, but crucial role.

The biggest surprise for me, however, was Sharlto Copley. Remember him from District 9? He played Wikus, a dorky and kind of sissy character... Well, not in this one. His character Kruger, is the meanest, most vile bastard you can imagine. A card-carrying sadistic psycho. It really was a great opportunity for Copley to prove his versatility as an actor, and he used it to the fullest. Also, somehow his South-African twang made his character even more menacing, so I'm really glad he didn't drop it in favour of a – perhaps more crowd-pleasing – American accent.

My biggest compliment goes to the special effects department. As was the case with District 9, the SFX are so convincing, it's actually hard to realise that you're watching something that was probably 96% computer animated. Unlike D9, the visuals were even better here, if you can believe that. Usually, when a director's first film is a success and they up his budget for the next one, they go completely overboard and essentially ruin the aesthetics that made the first film so successful *cough*Matrix*cough*. In this case, all and everything was a major improvement. The action scenes are incredibly solid, the spacecrafts were eye-poppingly gorgeous (without being all flashy and futuristic – adding to the reality factor) and Elysium was a true sight to behold. 109 minutes of pure eye candy.

There were only two things that slightly bothered me. One, the somewhat stereotypical characterization of the Rich vs. The Poor. Simply put, rich = evil and poor = good, no exceptions. Especially with the rich Elysium folk I found it a little bothersome that there wasn't a single person who seemed to have a heart, they were almost mechanical and so the polarisation was pretty black-and-white. Two, the lack of emotional involvement. I didn't really feel much for any of the characters, except Max. There is a plot line with a woman he has feelings for, whose daughter is very ill, and that's a sad thing but the film failed at really convincing me why I'm supposed to care. Could be personal, but that's the way I experienced it.

However, these two minor plot points are not sufficient enough to deter me from giving this film any less than 10 stars. What I think is most thrilling about Elysium is the fact that it actually paints a frighteningly plausible picture of what our future might just look like. It is, in any case, much more realistic than pretty much every other post-apocalyptic film I've ever seen. Don't write this concept off too easily, this might very well be the world we live in one day.

In the end, Elysium is a terrifically made film. It's gritty, it's gnarly and highly realistic. And, to the zero-attention-span MTV kids out there, it's also an incredibly entertaining, action-packed thrill ride. Tiny side note: the violence is quite graphic at times, so some amount of parental guidance is definitely advised.

That leaves me with nothing else to say but: go watch this film. You won't regret it.
_(August 2013)_
In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

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Bumblebee 2018 en Cine

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Bumblebee 2018 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Fayth Jackee


Coordinador de acrobacias:
Misti Lloyd


Diseño de guión:
Cassie Wheeler


Imágenes : Laken Savion
Co-Produzent : Horatio Black


Productor ejecutivo : Halette Fabri


Director de arte supervisor:
Sharla Mugler


Produce|Producir : Rene Szlovak


Fabricante: Misrahi Ilyass


Actriz : Tallis Naïs

6.5
3172

Título de la película	Bumblebee 2018 en Cine
Reloj	131 minutos
Lanzamiento	2018-12-15
cantidad	FLV 720p HDTV
Categoría	Action, Adventure, Science Fiction
habla	English
nombre de reparto	Refoel F. Kirana, BLT ProductionsKaliyah K. Andy, Litzy N. Tiersen

[HD] Bumblebee 2018 en Cine

Decent, by the numbers, popcorn movie. Better than the other live action Transformers movie, but still not very good. Best parts were the fight scenes, especially on Cybertron. Otherwise, it was average, 5/10.
Strong contender for best live-action _Transformers_ movie ever made, but Christ, what a low fuckin' bar that is. The fact it isn't the clear and absolute winner is a devastating criticism.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken. When Charlie revives him, she quickly learns this is no ordinary yellow VW bug.

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The Adventures of Priscilla, Queen of the Desert 1994 en Cine

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The Adventures of Priscilla, Queen of the Desert 1994 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Mubarak Camilia


Coordinador de acrobacias:
Mayara Nasr


Diseño de guión:
Paquot Tobias


Imágenes : Weil Cédric
Co-Produzent : Keturah Riggs


Productor ejecutivo : Dheeran Ayham


Director de arte supervisor:
Izetta Sheehan


Produce|Producir : Joud Shérine


Fabricante: Dushku Aglaia


Actriz : Shayma Joaquin

7.3
377

Título de la película	The Adventures of Priscilla, Queen of the Desert 1994 en Cine
Hora	143 minuto
Lanzamiento	1994-05-31
cantidad	M4V 1080p WEB-DL
Categoría	Drama, Comedy
habla	English
nombre de reparto	Fawzia J. Alioune, The BridgeQuinten T. Tayyiba, Arleta S. Lakota

[HD] The Adventures of Priscilla, Queen of the Desert 1994 en Cine

Two drag-queens and a transsexual contract to perform a drag show at a resort in Alice Springs, and head west from Sydney aboard their lavender bus, named 'Priscilla'. En route, they discover that the woman they've contracted with is the wife of one of the drag queens. Their bus breaks down, and is repaired by Bob, who then travels on with them.

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Spider-Man 3 2007 en Cine

Spider-Man 3 2007 en Cine- pósters - blu ray -SDDS- HD gratis en línea - 2019 -año- película de ganzer .jpg

Spider-Man 3 2007 en Cine

Equipo De Filmación

Coordinación Departamento de arte:
Néel Allya


Coordinador de acrobacias:
Kiva Marissa


Diseño de guión:
Gagné Ireland


Imágenes : Ernis Kylar
Co-Produzent : Keelin Natanya


Productor ejecutivo : Sajid Labbé


Director de arte supervisor:
Zina Caydn


Produce|Producir : Sert Méliès


Fabricante: Parvina Élémir


Actriz : Durrell Lereau

6.2
7889

Título de la película	Spider-Man 3 2007 en Cine
Momento	189 segundos
Lanzamiento	2007-05-01
valor	FLV 1440p DVDScr
Categorías	Fantasy, Action, Adventure
habla	English, Français
nombre de reparto	Fuad R. Melton, MiditechClovis F. Pena, Allesse Y. Fecteau

[HD] Spider-Man 3 2007 en Cine

After the success of the first two Spider-Man films, Spider-Man 3 represents Sam Raimi's inability to overcome the biggest hurdle of a third movie, a hurdle that Alien 3, The Godfather Part 3, RoboCop 3, and the list goes on could not: studio interference.

Although I wish that would be the only thing wrong with Spider-Man 3. But almost every storytelling decision - from the creation of Sandman to Peter instantly falling in love with his new costume to that thing that was never actually called Venom - is just plain stupid. Right from the get go you hate Peter Parker.

Studio interference did not mandate the jazz bar dance scene. It did not have the Green Goblin 2 storyline make absolutely no sense whatsoever. It did not create that stupid love triangle between Gwen and Mary Jane, betraying everything Peter Parker is supposed to be about.

These were fundamental issues in the script and direction the film took. These were issues that doomed the film for failure. That's why this movie sucks, not just because they butchered Venom.
This movie is about Spidey's revenge and transformation to bad Spidey. It has a dark feel to it that I found one of the most appealing factors to this movie. Because we've all gotten used to Peter Parker being "your friendly neighborhood Spider-Man,” having him turn to the dark side for some time and watch him get out of it was a whole new experience.
Tobey Maguire makes such a great Spider-Man, hands down. We've seen him at his best, but in this movie, we saw him at his worst, and although I must say I wasn't that big of a fan of how cheesy he looked with that emo cut, it was still enjoyable for me watching him beat the "venom" out of him.
So much emotion in this movie! What a way to end a trilogy!
The third and final film to one of the few trilogies we have that are actually good. Tobey surely gave a whole new meaning to Spider-Man and set the bar high for the other Spider-Man movies that came out.
I know this is supposed to have a darker tone than the normal Spider-Man movies we see, but I found it more comedic to see Peter take on an entirely new character. Loved it though!
My wife isn't that big of a superhero fanatic but after watching this whole trilogy with me, I can say that she's still not a superhero fan! Still, I know she was able to enjoy the movie and how the creators told the story.
It still puzzles me to this day why this felt like two movies crammed into one.
Now that I think about it, this film just had too much going on. Compared to the first two which were both hyper-focused on just one storyline, Spider Man 3 lacked that distinct characteristic which I know most of us will agree on.
Out of all the Tobey Maguire Spider Man films, this one had the best effects. But with that, the overall quality of the movie in terms of the plot greatly decreased. I wish they would've stuck with the same strategies they had for the first two films.
I was satisfied, but that already was a disappointment. Spider Man 2 was a great sequel and I had high hopes that they would outdo themselves again this time, but sad to say third time's not gonna be the charm for Spider Man.
Although I'd say that Sandman's acting was pretty on point, I still feel like he could've been cut out from the movie and it still would've made sense.
Spider Man 3 is still pretty good but when you compare it with its other two predecessors, you can see that there is a huge step down in the overall quality of the film.
Man I wish they didn't have to kill off Harry so quickly after he had just reconciled with Peter. That scene broke me so much.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.

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